American School of Lutherie
Course Descriptions
 
About Us
Meet Our Team
Student Comments
Home
Course Information
Course Calendar
Course Descriptions
Registration Info
2008 Registration
Resources
Library
Search
Contact Us
Site Map

 
Contemporary Guitar Making
 See instructor BIO on the "Meet Our Team" page




Class format: lecture/demo, survey seminar


Tuition: $1000

 


 

CONTEMPORARY GUITAR MAKING is a window on guitar making's dynamic new reality.  Today’s high quality guitar making is based on an accurate grasp of the acoustical behavior of the instrument and a working knowledge of the most effective means of the craft.  Armed with these two things, a growing number of world class luthiers are able to systematically optimize important qualities of their guitars, and to build enough of them to both advance steadily in their craft and make a comfortable living.  CONTEMPORARY GUITAR MAKING invites you to share the understanding and the techniques that make this possible.

OVERVIEW

CONTEMPORARY GUITAR MAKING is a comprehensive five-day survey of the craft as it is practiced today.  This lecture/ demonstration seminar's study topics range from nuts-and-bolts skills to fundamental theory and principles, with an emphasis always on their direct application to state-of-the-art guitar making.   Every aspect of the guitar's function, design and construction - both steel string and classical - is demonstrated on actual work in progress and explained in detail.  CONTEMPORARY GUITAR MAKING examines the guitar's acoustical, structural, and aesthetic design factors as well as materials, construction methods, voicing, tooling, shop design, marketing, and other topics critical to the practice of lutherie in today's world.

IS THIS FOR YOU?
For the beginning guitar maker, this unique seminar is the best possible introduction to the field - a strong foundation for working ultimately at an accomplished professional level.  This course will take years off your learning curve by starting you off right at the top, ready to work with a clear awareness of the state of the art.  Although it's not required, some familiarity with tools and materials is useful, as this program is not a general introduction to the art and craft of woodworking.
 

For the more experienced guitar maker, this seminar will dramatically broaden your frame of reference.  It is an opportunity to review your own approach to the craft in a new creative light; a chance to further refine the quality and direction of your work and to resolve the guitar building problems that remain for you.

 
For the full-time luthier, this intensive re-examination
of the craft will help you both to break out of the old habits that we all get stuck in and to take your work to its next level with renewed inspiration and increased productivity.  The information and techniques from this seminar should allow you to measurably increase your output.

THEORY

We'll concentrate throughout on the basic physics that inform the guitar's design.  Every important principle is identified, explained, and underscored by demonstrating it's direct application.  The aim is for you
to be guided in your work by a clear understanding of the phenomena that govern the behavior of the instrument.

DESIGN

The creation of a guitar begins with design work and pattern making.  The logic and thoroughness of this process are rewarded throughout the building of the instrument.  You'll learn simple procedures that will produce an integrated design and a complete set of working patterns in just a few hours.




TOOLING, JIGS AND FIXTURES

The best choice of tools for guitar making depends
on your personal style, resources and available space.  We'll examine an extremely versatile and compact setup that's perfect for the small guitar-making shop.  Well-designed jigs and fixtures are a key to efficiency and to consistent high-quality work.  We'll explore the few basic principles around which most jigs and fixtures can be designed and we'll examine many affordable time-saving guitar making devices.

SHOP SETUP AND PRODUCTION

Working efficiently is important to anyone who values his or her time.  There's more than one way to set up an efficient workshop, but there's only one best way for you to do it without compromising either the quality of your work or your enjoyment of it.  We'll discuss tooling up and organizing the one-person shop for smooth productivity, with an emphasis on economy and appropriate means.
 

CONSTRUCTION METHODS

Fundamentally, there are two basic ways to build guitars: free-form on an open work board, for prototyping and other custom work, and fixed-form, using solid molds and other specialized device
s, for efficiently reproducing your standardized designs.  Familiarity with both ways is essential for creative, efficient lutherie.  We'll examine a variety of approaches to every construction process, from traditional hand methods to up-to-date time-saving production techniques.  You'll learn ways of guitar building designed to maximize the quality of your work while minimizing your time and effort.  All of these methods are presented in the context of a logical, integrated approach to the craft.


Hands-On Guitar Making
 See instructor BIO on the "Meet Our Team" page

     

Note: Each Hands-On Guitar Making session is designated as either a Steel String or Classical guitar building course, based on demand.   

Class format: Each student creates his/her own instrument.  Enrollment is limited to a maximum of four students per session.  Some lutherie or woodworking experience is a plus, but not required.  Please call if you'd like to discuss.

Tuition $3500, plus materials


 

The craft of guitar making is a rich collection of methods, techniques and skills that can take a lifetime to acquire and refine on one's own.  Because few of us have a lifetime to put it all together,  ASL offers this intensive two-week opportunity to construct a fine quality guitar while learning the guitar making methods used by today's most creative and successful luthiers.      
HANDS-ON GUITAR MAKING
provides the perfect setting and means to do your best possible work and learning, whether you are a guitar-making novice or a seasoned luthier.

WHAT YOU'LL LEARN

You'll learn a logical, integrated approach to the craft of guitar making - a synthesis of the most accurate and effective techniques in use today, some as old as forever and some as new as tomorrow.  These methods are the route to optimizing the quality, efficiency and creativity of your work.  They're the logical place to start as a beginning luthier, and they're essential for any luthier's achievement of today's high level guitar-making standards.
 

During this intensive two-week course you'll select the materials, create the parts, construct, trim, sand, seal, set up and play the instrument of your choice.  You'll learn how to build any size instrument without specialized molds or other forms.  ASL has plans and patterns for all standard guitar models. 

WHAT YOU'LL BUILD

Classical
Beginning students will build a traditional classical guitar - either a smaller
guitar based on Segovia’s famous 1937 Hauser, or a larger guitar based on Ramirez’s influential 1960’s pattern.  Both designs are examples of the classical guitar at its best, and each provides a solid foundation for any work that follows.  Some contemporary design features, such as graphite neck reinforcement and a slightly radiused fingerboard, can be incorporated into these instruments.  Advanced students may choose to build a modern style instrument, incorporating features like alternative bracing schemes, rigid rims and full spherical soundboard and back.


Steel String
Students may select from among several body styles, such as the 00, OM,  Dreadnaught, Small Jumbo, etc.  Beginning students are encouraged to build a traditional steel string instrument using conventional Martin-style construction.  Certain modern design features, such as a narrow neck
profile and a compound radius fretboard, can be added to these instruments.  Advanced students may choose to build a contemporary steel string instrument with modern alternative construction features.

WHEN YOU GET HOME 

Making a guitar here means nothing if you can't do it again on your own.  Your work space at ASL is a model of compact efficiency which is designed, along with the time-saving jigs and fixtures that you'll use here, to be easily reproduced by you at home.  You'll return home with a clear understanding of what's needed to build your next guitar. 

 

Professional Workshops

Occasionally weekend workshops may be added to the teaching schedule.  These one and two-day workshops are focused on topics and methods important for the creation of professional, performance-quality guitars.

CONTACT US:

                   Email:   info@americanschooloflutherie.com

                   US Mail: American School of Lutherie
                                 2745 SW Scenic Drive
                                 Portland, Oregon  97225

                   Phone:  (503) 292-2307

                                   Back to top